Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Frederic Remington
In from the Night Herd (mk43)

ID: 25736

Frederic Remington In from the Night Herd (mk43)
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Frederic Remington In from the Night Herd (mk43)


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Frederic Remington

American Painter and Sculptor, 1861-1909 American painter, sculptor, illustrator and writer. In 1878 he began his studies at the newly formed School of the Fine Arts at Yale University in New Haven, CT, remaining there until 1880. This, along with a few months at the Art Students League in New York in 1886, was his only period of formal art training. In 1881 he roamed through the Dakotas, Montana, the Arizona Territory and Texas to document an era that was fast vanishing. He returned east and in 1882 had his first drawing published (25 Feb) in Harper's Weekly. Further commissions for illustrations followed, including that for Theodore Roosevelt's Ranch Life and the Hunting Trail (New York, 1888) (see BOOK ILLUSTRATION, fig. 8).   Related Paintings of Frederic Remington :. | Mounted Cowboy in Chaps with Bay Horse | outlier | The Scream of Shrapnel at San Juan Hill | The Rock of the Signature | The Flight |
Related Artists:
Antonietta Brandeis
(1849, Miskowitz (Czech: Myslkovice) - 1920), was an Austrian painter.[1][2] Select Museum Collections: Museum Revoltella, Trieste
Picknell, William Lamb
American, 1853-1897 was a United States painter of landscapes, coastal views, and figure genres, known for his rapid painting style. He was born in Hinesburg, Vermont and died in Marblehead,
MANTEGNA, Andrea
Italian Early Renaissance Painter, ca.1431-1506 Italian painter and printmaker. He occupies a pre-eminent position among Italian artists of the 15th century. The profound enthusiasm for the civilization of ancient Rome that infuses his entire oeuvre was unprecedented in a painter. In addition to its antiquarian content, his art is characterized by brilliant compositional solutions, the bold and innovative use of perspective and foreshortening and a precise and deliberate manner of execution, an aspect that was commented upon during his lifetime. He was held in great esteem by his contemporaries for his learning and skill and, significantly, he is the only artist of the period to have left a small corpus of self-portraits: two in the Ovetari Chapel; his presumed self-portrait in the Presentation in the Temple (Berlin, Gemeldegal.); one in the Camera Picta (Mantua, Pal. Ducale) and the funerary bust in his burial chapel in S Andrea, Mantua, designed and probably executed by himself. His printmaking activity is technically advanced and of great importance, although certain aspects of the execution remain to be clarified.






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